Ruben Verborgh; Seth van Hooland; Mike Ellis; Ian Ruthven; G. G. Chowdhury; Claire Warwick; Melissa Terras; Julian Nyhan Facet Publishing (2015) Pehmeäkantinen kirja
Ruben Verborgh; Katja Hose; Heiko Paulheim; Pierre-Antoine Champin; Maria Maleshkova; Oscar Corcho; Petar Ristoski; Alam Springer Nature Switzerland AG (2021) Pehmeäkantinen kirja
Sally Chambers; Vanda Broughton; Seth van Hooland; Ruben Verborgh; Ed Jones; Michele Seikel; Louise Spiteri; Rob Maxwell Facet Publishing (2017) Pehmeäkantinen kirja
By examining the relation between time and processes of figuration in James Joyce's later work, this ground-breaking study identifies his attempt to engage with the philosophical problem of describing time's characteristic movement whilst acknowledging the impossibility of reducing this movement to anything that can be observed, represented or even experienced. Ruben Borg argues that this problem informs the narrative structure, imagery and complex rhetorical strategies in Finnegan's Wake and Ulysses. Drawing on the work of Deleuze and Derrida, Borg challenges the assumption that Joycean time is organised around the idea of a totalising present. Emphasising his treatment of time as a force of measureless passing, Borg offers a better understanding of Joyce's endeavour to characterise time as a multiplicity that resists representation or objective measurement and its role as a central theme and structural element in his later work.