Timeline is among the most poetic photographic projects to emerge in the art world in years. For many of us, the photo album is a way to preserve memories of personal and family events that are worth noting, worth sharing, worth saving: pregnancies and birthdays, day trips and child's play, time with our pets, friendships and reunions, portraits of our house and garden, and even scenes of spirituality and despair caused by news of cancer. Each album thus becomes an archive of who we are as a person, as a family. Tom Young has taken this old idea and created a new genre: visual fiction. Using iconographic, layered images to tell his story without the usual tools of vivid contrast, bold colors, or sharp, finite detail, Young's visual assemblages are personal and evocative, sharing a complex internal landscape of love and loss, seen as through a shadowy veil. Here, then, is a marriage of landscape and portraiture that suggests not only a visual narrative of the photographer's life, but also, through the power of memory and shared experience, the reader's life. When Young was only ten years old, he had a medical procedure that left his eyes fully bandaged for weeks. Without sight, all of his other senses changed. Despite the darkness, he would imagine the world around him and the power of light as it relates to memory. In Timeline, one senses that the artist is seeing his entire world unfold before him like an end-of-life dream recollected in a few split seconds. One image leads to another, building in nuance and subtlety until we come to understand, as if by way of a sixth sense, how the little details of life create a larger retrospective. "If pictures could talk, what a tale they might tell." That thought lurks behind every image of Young's masterful visual story of a life: his? yours?