Ever since its rediscovery in 1934, "The Book of Margery Kempe" has generally been judged to be over-emotional and its structure regarded as at worst non-existent, at best naive. Naoe Kukita Yoshikawa argues instead that the book unfolds a creative experience of memory as spiritual progress, and explores Margery's meditational experience in the context of visual and verbal iconography. She provides a comprehensive analysis of Margery's meditative experience as it is structured in the book, paying particular attention to five major meditational experiences that influence her spiritual progress and develop a coherent theology.