Developing a perspective on Victorian culture as the breeding ground for early theories of the unconscious and the divided psyche, The Demon and the Damozel: Dynamics of Desire in the Works of Christina Rossetti and Dante Gabriel Rossetti offers a new reading of these eminent Victorian siblingsu2019 literature and visual arts.











Suzanne M. Waldman views well-known poems and artworks such as Christina Rossettiu2019s Goblin Market and Dante Gabriel Rossettiu2019s The Blessed Damozel and Venus Verticordia in new ways that expose their authorsu2019 savvy anticipation of concepts that would come to be known as narcissism, fetishism, and the symbolic and imaginary orders, among many others. Waldman makes a strong case for the particular psychoanalytic importance of the Rossettis by looking at how the two Rossetti siblingsu2019 own psyches were divided by conflicts between the periodu2019s religious scruples and its taste for gothic sensationalism.











The Demon and the Damozel is a close and contextualized reading of their writings and artwork that displays, for the first time, continuity between the medieval cosmologies these Pre-Raphaelites drew upon and the psychoanalytic theories they looked ahead to—and locates the intricate patterns of proto-psychoanalytic understanding in the rich tapestry of Pre-Raphaelite aestheticism.