You're Mine You marked Sarah Vaughan's second recorded collaboration with Quincy Jones, following a Mercury album titled Vaughan and Violins, which was taped in Paris, France, on July 7-12, 1958, and featured the singer backed by a string section. This isn't the case with the album presented here, on which there are just a few touches of strings and a strong big band occupies the forefront. According to All Music Guide critic Scott Yanow, This LP finds Sarah Vaughan backed by big-band and string arrangements from Quincy Jones that could easily have been used for a Frank Sinatra date. Vaughan s voice is typically wondrous and sometimes a bit excessive on the ballads but in top form on the more swinging numbers. In the repertoire are such tunes as The Best Is Yet to Come , The Second Time Around and Baubles, Bangles and Beads. The set should please those who love the sound of Sassy's remarkable voice.

1. You're Mine You (Johnny Green-Edward Heyman) 4:01
2. The Best is Yet To Come (Cy Coleman-Carolyn Leigh) 2:53
3. Witchcraft (Cy Coleman-Carolyn Leigh) 2:58
4. So Long (Remus Harris-Irving Melsher-Russ Morgan) 2:55
5. The Second Time Around (Sammy Cahn-Jimmy Van Heusen) 3:43
6. Could Write a Book (Richard Rodgers-Lorenz Hart) 2:24
7. One Mint Julep (Rudolph Toombs) 2:49*
8. Maria (Leonard Bernstein-Stephen Sondheim) 3:13
9. Baubles, Bangles and Beads (George Forrest-Robert Wright) 3:
10. Fly Me To the Moon (Bart Howard) 2:56
11. Moonglow (Eddie Delange-Will Hudson-Irving Mills) 2:31
12. Nvitation (Bronislau Kaper-Paul Francis Webster) 2:19
13. On Green Dolphin Street (Bronislau Kaper-Ned Washington) 3:0
14. Mama, He Treats Your Daughter Mean