Hotel des Archives is a trilogy of books consisting of verse recastings from the French novels of Beckett, Genet and Duras. Synchronous with postmodernism's aesthetics of appropriation, détournement, sampling and other intertextual strategies, the project operates a double shift of genre and language, since she moves from the original French and from prose to lyric. These transcreations, as Tysh has been calling them, allow her to forsake the traditional mode of self-expression in favor of one that "translates" other cultural materials, creating an artistic network beyond boundaries and temporalities.