The Northwest Coast of North America has long been recognized as one of the world’s canonical art zones. Since the mid-1700s, objects or “art” deriving from the Indigenous cultures of this area have been desired, displayed, and exchanged, classified and interpreted, stolen and confiscated, bought and sold, and displayed again in many parts of the world. “Northwest Coast Native art” has proved to be a powerful idea, assuming many guises over the centuries. But how has it been defined, and by whom and why?

This remarkable volume records and scrutinizes definitions of Northwest Coast Native art and its boundaries. A work of critical historiography, it makes accessible for the first time in one place a broad selection of more than 250 years of writing on Northwest Coast “art.” Organized thematically, its excerpted texts are from both published and unpublished sources, some not previously available in English.

The central importance of this book is that it counters the tendency to turn Northwest Coast Native “art” into a one-dimensional spectacle that obscures and reduces the values of its component cultures. In unsettling the conventions that have shaped “the idea of Northwest Coast Native art,” this book takes a central place in the lively, often heated, and now global, debates about what constitutes Native art and who should decide.