Of literary criticsm uses Lacanian psychoanalytic theory to explicate Roland Barthes, Albert Camus, Ernest Hemingway, D.H. Lawrence, and Alain Robbe-Grillet.

Winner of the 1997 Gradiva Award for Best Book (Cultural Arts Related) awarded by the National Association for the Advancement of Psychoanalysis (NAAP)

Using Lacanian psychoanalytic theory in order to uncover the relationship between literature, reading, and the unconscious, this book argues for a special affinity between a text and its reader. This process strives to unveil the disguises of tropic language in order to generate manifest meaning from latent content. Focusing on five twentieth-century writers: D.H. Lawrence, Ernest Hemingway, Albert Camus, Roland Barthes, and Alain Robbe-Grillet, this book shows how Freud's theories of condensation and displacement in dreams match Lacan's uses of metaphor and metonymy in language. Despite the different backgrounds of these authors from America, England, and France, the unifying theme is that the unconscious (because it is structured like language) is the voice of the (m)Other disguised in figurative language.