Staatskapelle Dresden, Giuseppe Sinopoli

Schoenberg: 6 Lieder for soprano and orchestra, Op. 8
Schoenberg: A Survivor from Warsaw, Op. 46
Schoenberg: Accompaniment to a Cinematographic Scene, Op. 34
Schoenberg: Chamber Symphony No. 1 in E major, Op. 9
Schoenberg: Pierrot lunaire, Op. 21
Schoenberg: Erwartung, Op. 17
Schoenberg: Gurrelieder
Berg: Sieben frühe Lieder
Berg: 5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, Op. 4
Berg: Drei Orchesterstücke, Op. 6
Berg: Der Wein
Berg: Lyric Suite - three movements for string orchestra (1928)
Berg: 3 Wozzeck-Fragments
Berg: Lulu-Suite (Five Symphonic Pieces) for soprano and orchestra
Berg: Violin Concerto 'To the Memory of an Angel' (1935)
Berg: Chamber Concerto for Piano and Violin with 13 Wind Instruments
Webern: Im sommerwind (Idyl for large orchestra) (1904)
Webern: Passacaglia for Orchestra, Op. 1
Webern: Symphony, Op. 21
Webern: Six Pieces for Orchestra Op. 6
Webern: Five Pieces for Orchestra Op. 10
Webern: Concerto for Nine Instruments Op. 24
Webern: Variations for Orchestra, Op. 30


Bridging Romanticism and Modernism, the composers of the Second Viennese School - Schoenberg, Berg, and Webern - ushered in a new musical era. Their works, ranging from the intimate to the epic, were ideally suited to the talents and intellect of Giuseppe Sinopoli. A conductor and composer whose studies also embraced medicine, psychology and archaeology, he took a special interest in the music of the late 19th and early 20th centuries. His interpretations, founded in both scrupulous analysis and an epicurean appreciation of sonorities, were often revelatory.