First published in 1972 in Paris, The Real Split in the International is regarded as one of Guy Debord and the Situationists' finest works.



Exploding as politically revolutionary at the heart of the Paris 1968 uprisings, the Situationist International has proved a tenaciously compelling radical movement in terms of asthetics and political theory.



The Real Split in the International sees Debord not only evaluate the movement as a whole, but also signal the end of it. For him, it had become clear that the Situationist's success had produced - within its own ranks as well as outside them - a host of fans and 'onlookers' who amounted to little more than consumers of a radicality that had become fashionable. In this way the movement had begun to encompass the very 'society of the spectacle' that the Situationists had challenged. There was a danger that Situationist theory could turn into ideology - Debord's reaction was to break up the movement.