This Volume is dedicated to the question of how dance, both in its historical and in its contemporary manifestations, is intricately linked to conceptualisations of the political. Whereas in this context the term "policy" means the reproduction of hegemonic power relations within already existing institutional structures, politics refers to those practices which question the space of policy as such by inscribing that into its surface which has had no place before. The art of choreography consists in distributing bodies and their relations in space. It is a distribution of parts that within the field of the visible and the sayable allocates positions to specific bodies. Yet in the confrontation between bodies and their relations, a deframing and dislocating of positions may take place. The essays included in this book are aimed at the multiple connections between politics, community, dance, and globalisation from the perspective of e.g. Dance and Theatre Studies, History, Philosophy, and Sociology.

With contributions by SaSa Asentic, Ulas Aktas, Gabriele Brandstetter, Ramsay Burt, Bojana Cvejic, Mark Franko, Gabriele Klein, Bojana Kunst, André Lepecki, Isabell Lorey, Oliver Marchart, Brian Massumi/Erin Manning, Randy Martin, Gerald Raunig, Petra Sabisch, and Ana Vujanovic.