"I go to Ian Seed's poetry whenever I need reminding of the possibilities or a good slap in the inspiration. A master of the prose poem and the unexpected lyric. There's a beautiful, painterly logic to these compositions and a perfect balance between the elevating magical and the crushingly disappointing. His narrators speak for all of us, at work, in transit, in family, memory, or continental cities. Grief-stricken, erotic, silly, embarrassed or baffled, but somehow determined to live 'joyously and seriously' against the inexplicable, the obligatory and the mundane at whatever damn cost. Night Window is shot through with melancholy, wit, absences and bookshops - it deserves legions of readers." -Luke Kennard


"Exquisitely voiced and deeply beguiling, Night Window explores impermanence in uncanny, liminal and provocative poems. Often set in the transitory spaces of trains, buses, cafes, markets and trattorie, narrators confront their nostalgia and self-imposed exile in a series of threshold moments foregrounding 'obsession', 'unspeakable desire', erotic remembrance and quotidian encounters. The motif of fenestration heightens the fusion between neo-Gothic outsiderness and modernity's transcendent flaneurism in poems which are often mordantly humorous and sardonic. In self-reflexive, Calvino-esque moments, Seed reveals, 'I have to find a way / to free the text to yield its story' and reminds us, 'It takes a stranger to see the beauty'. Gertrude Stein once said Max Jacob had a 'poet soul'. A translator of Jacob's poetry, Ian Seed in Night Window, uncovers his own poet's soul and cements his reputation as one of the finest contemporary proponents of the prose poem form." -Cassandra Atherton