Robert Schumann’s Kreisleriana for piano is a cycle of eight
contrasting pieces composed in 1838. The work belongs to
one of Schumann’s most creative periods. It was influenced
by the writings of author E. T. A. Hoffmann and was inspired
by Schumann’s love for his wife, Clara. The current edition has
been thoroughly researched, with comparisons made between
all early sources. The 1850 second edition has been used as the
primary source, which includes revisions made by Schumann
and reflects his final intentions. Discrepancies with the first
edition (1838), third edition (1858), and various Clara Schumann
editions have been discussed in critical notes. Prefatory
matter discusses the genesis of Kreisleriana, the relationship
between Hoffmann’s writings and Schumann’s journalism and
compositions, and the early champions and performers of this
masterwork. Also included are discussions of the form of each
piece and helpful performance suggestions. Editorial pedaling
and fingering suggestions have been provided to facilitate
learning and performance.
Charles Timbrell is Professor of Music and Coordinator of
Keyboard Studies at Howard University in Washington, D.C.,
where he teaches piano, piano literature, and piano pedagogy.
He also maintains an active career as a performer, author,
lecturer, and adjudicator.