"What should I perform?" This book is to serve as a study guide of twentyfive
works for the dramatic soprano voice with orchestra. Criteria used for
inclusion include range, tessitura, orchestral scoring, dramatic intensity, and
cultural diversity. There are examples of works dating from 1787 through
2004, and include song cycles, monoperas, monodramas, scena and arias,
symphonic rhapsodies, cantatas, symphonic cycles, and lyric tragedies.
Adhering to the basic requirement of the piece being suitable for the
dramatic soprano voice, the chosen works are eclectic in language, style,
ethnic origin, and musical period. A cursory definition of the dramatic
soprano voice and its rise in operatic history is included. Information is
provided for each listing, including a brief biographical sketch of the
composer and the work's history and lyrics. This book is addressed to all
professionals in the performing arts as well as specifically to dramatic
sopranos, conductors, composers, and lovers of extraordinary and compelling
vocal/orchestral works. It is also directed toward professors and educators in
music, voice, orchestra, theatre, and their students.