This is the riveling story of a museum director caught in a web of local and international intrigue while secretly pursuing a forgotten Renaissance pointing. On the eve of its centennial celebrations in December 1969, the Boston Museum of Fine Arts announced the acquisition of an unknown and uncatalogued painting attributed to Raphael. Boston's coup made headlines around the world. Soon afterward, an Italian art sleuth began investigating the details of the painting's export from Italy, challenging the museum's right to ownership. Simultaneously, experts on both sides of the Atlantic lined up to debate its very authenticity. While these contests played themselves out on the international stage, the crisis deepened within the museum as its charismatic director, Perry Rathbone, faced the most challenging crossroads of his 30-year career. In her quest for the true story behind this pivotal event in her father's life, Belinda Rathbone delves into the background of the affair as it was reported in the popular press, both questioning the inevitability of its outcome and revealing the power struggle within the museum that led to his resignation.
She draws almost entirely from primary source material in various archival collections and over a hundred contemporary and personal interviews. It is lavishly illustrated with full-colour plates and many previously unpublished photographs.