Ghent, Belgium-based experimental rock band Raketkanon speak their own odd language; one of throttled squeals and shouts, meat-grinder waves of rolling riffs, synth-layered soundscapes, dystopic electronica-laced beats, and hypnotic grooves. Raketkanon speak the language of music like you’ve never heard anyone speak it before, and for their latest record, they’ve learned a whole new dialect.

With their much-lauded 2015 second album, RKTKN#2, produced by Steve Albini, the band proved that they were utterly unique in their field, drawing praise from NOISEY, The Quietus, The Guardian, Team Rock, Echoes & Dust, and many more. Even the Crown Prince of Chaos himself, Iggy Pop, became a newly-converted cult member as his gravelled tones grunted their praises on the BBC 6music airwaves.

Now, in 2019, with new record RKTKN#3 ready to be deployed, the latest phase of Raketkanon’s musical offensive sees them pushing their boundaries further than ever before. “The new record, and the songs themselves, are way more eclectic,” explains vocalist Pieter-Paul Devos. “In a way, we felt we had pushed our abilities—and learned what we could do musically—to the max, previously. For this album, we tried to feel what the limits of our old way of working were. We pretty much renewed ourselves.”