And what applies to figure or flower must be understood of all other accidental or removable ornaments of writing whatever; and not of specific ornament only, but of all that latent colour and imagery which language as such carries in it. A lover of words for their own sake, to whom nothing about them is unimportant, a minute and constant observer of their physiognomy, he will be on the alert not only for obviously mixed metaphors of course, but for the metaphor that is mixed in all our speech, though a rapid use may involve no cognition of it.