This book explores the appropriation of Oriental imagery within Danish and Norwegian 19th century nation-building. The project queries Edward Said's binary notion of Orientalism and posits a more complex model describing how European counties on the periphery -- Denmark and Norway -- imported oriental imagery from France to position themselves, not against their colonial Other, but in relation to central European nations. Examining Nordic Orientalism across a century in the context of modernisation, urbanisation and democratisation the study furthermore shows how the Romanticists' naive treatment of the Orient was challenged by increased contact with the 'real' Orient.
Tilaustuote | Arvioimme, että tuote lähetetään meiltä noin 5-6 viikossa |
Tilaa jouluksi viimeistään 27.11.2024