Walter Braunfels is a composer whose music died twice: Once when the Nazis declared his music degenerate art. Then again when post-war Germany had little use for the various schools of tonal music; when the arbiters of taste considered any form of romantic music almost the whole pre-war aesthetic to be tainted. This already 10th release of Capriccios Braunfels Edition focuses on one of his most popular Opera works. What makes Jeanne DArc such an uncommonly effective music drama is not just the often sumptuous, post-romantic musical language but Braunfels own libretto. The main storyline of Joan of Arc is known well enough: Vision, liberation of Orleans, coronation of the Dauphin, arrest, trial, and burning at the stake. Braunfels somehow managed to put together a libretto from the original French and Latin 15th-century trial documents of Joan of Arc, a smidgen by George Bernard Shaw (Saint Joan), and his own additions, that makes this story and its characters in so many ways so far removed from a modern audiences sensibilities and reality relatable to listeners today.