Bram van Sambeek (bassoon), Swedish Chamber Orchestra, Alexei Ogrintchouk

Mozart: Bassoon Concerto in B flat major, K191
Weber: Bassoon Concerto in F major, Op. 75
Du Puy: Bassoon Concerto in C minor

As Bram van Sambeek writes in the liner notes to his new disc, bassoonists consider Mozart’s Concerto in B flat major the absolute pinnacle of their repertoire. A man of great contrasts himself, Mozart recognised the potential of the bassoon as a vehicle for expressing a wide range of moods and attitudes –from the joking and playful to the dreamily tuneful. Another composer who showed a special understanding for the instrument was Carl Maria von Weber, whose Concerto in F major doesn’t come far behind Mozart’s on the list of all-time bassoon hits. But as all bassoonists would agree, that list is on the short side – compared to the piano or the violin, the bassoon has been sadly underused by composers. How much easier then to imagine van Sambeek’s excitement when, by chance, he came across an unknown bassoon concerto. From a library in Stockholm he had requested a quintet for bassoon and strings by the Swiss-born, Swedish-based singer-conductor-composer and jack-of-most-trades Édouard Du Puy (c. 1770—1822) but, by mistake, he was sent a copy of the autograph manuscript for Du Puy’s ‘Concerto pour le Basson’ in C minor. Spirited support comes from the acclaimed Swedish Chamber Orchestra conducted by his colleague and long-time collaborator, the oboist Alexei Ogrintchouk.