In Music for the Dead and Resurrected Valzhyna Mort asks how we mourn after a century of silence and propaganda. How do we remember our history and sing after being silenced? Mort draws on intimate and paradoxical firsthand accounts of a past grandparent generation of the Soviet labor camps, redistribution of land, and massacres of World War II in Belarus. As her country is being run by a longtime dictator, the poet creates a ceremony of mythmaking for the erased history and family.

Music for the Dead and Resurrected is a space where the living and the dead can coexist, where the Belarusian woods can act as witnesses to forgotten lives, and where musical form can create a new lyric mythology and an uncompromised language of remembrance. Mort, born in Belarus and now living in America, teaches us that the remembrance of private histories has a power to confront collective, violent American myths.