An exploration into media and architecture, Everything All at Once features the experimental work of the New York City-based studio MOS. By exchanging plans and sections for software and film, the firm moves beyond the static forms of traditional architectural discourse and exposes a working technique that is inventive, playful and primitive. In this vibrant publication, partners Michael Meredith and Hilary Sample weave together a visual narrative of computation, representation and design. Showcasing over twenty-five projects on screen and in built form, including the acclaimed thatch-covered structures from the 2009 PS1 After Party and the mylar weather balloon installation at the 2010 Venice Biennale, the book provides a unique look at the process of one of the most innovative firms at work today.