This is an original, idiosyncratic, genre-less work that deals with the "space" created by the intersection of Philosophy, Religion and Psychoanalysis. McGinley is challenged by and challenges Derrideanesque deconstruction, post-Freudian Psychoanalysis, and the feminist critique/appropriation of the Freudian text. This account takes the degradation of our century to be the prophetic sign of signs which no longer permits discourseóphilosophical or otherwise.