The last few years have seen a growing interest in the conservation and enhancement of the working and living spaces of the faber: artists, designers and architects. They include both museums and private places that are waiting for fulfilling their full potential. The volume aims at presenting the results of an interdisciplinary research on museum studies and design applied to cultural heritage that, starting from theoretical and methodological considerations and from the analysis of international paradigmatic case studies, proposes a reflection on design-oriented strategies and practices for the enhancement and use of these places.