An examination of renowned Italian artist Piero Manzoni's attempt to remove narrative and emotional content from painting in his radical Achrome series.

Spotlighting two iconic 'Achrome' paintings from the late 1950s by renowned Italian artist Piero Manzoni (1933–63), this publication provides an in-depth portrait of the artist's radical series.

Contributions by: Luca Bochicchio, Flaminio Gualdoni, Luisa Mensi