Vittorio Ghielmi (viola da gamba), Il Suonar parlante Orchestra, Luca Pianca

Marais, M: Alcyone: Tempete
Marais, M: Les Voix Humaines
Marais, M: Marche pour les Matelots (from Alcyone)
Marais, M: La Biscayenne
Marais, M: Alcyone, Deuxième air des matelos & Troisième air des matelots
Marais, M: Le Bijou
Marais, M: Pièces de viole, Book 4: Suite No. 7 - Le badinage
Marais, M: Alcione: Gigue
Marais, M: La siamoise
Marais, M: La Polonaise
Marais, M: La Désolée
Marais, M: La Marianne
Marais, M: Sarabande
Marais, M: Les Regrets
Marais, M: Ariane et Bacchus: Overture
Marais, M: Pièces de viole, Livre II No.65: Prélude
Marais, M: Sujet Diversitez
Marais, M: Arianne et Bacchus: Simphonie du sommeil
Marais, M: Marche pour les Pastres (from Alcide)
Marais, M: Pièces de viole, Livre II No. 19: Ballet en rondeau

Between 1680 and 1728, Marin Marais brought the pièce de viole to the peak of perfection. An ‘unremitting’ teacher, he was also the publisher of his own music and invented special signs to notate certain ornaments for the viol. In the course of his research at the Salzburg Mozarteum, the Italian gambist Vittorio Ghielmi studied these manuscript codes, in the hand of Marais himself or his direct students. ‘This led me to a new vision of French Baroque music, which applies not only to the viola da gamba, but also to vocal and orchestral music. These signs reveal the technique of playing in action. Contrary to the static descriptions of the treatises of the time, one has the impression of seeing didactic “videos”.’ This album, entirely devoted to the music of Marais, alternates récits for solo viola with orchestral pieces, all of them reinterpreted in the light of the new discovery of Monsieur Marais’s ‘codes’. In addition to Parisian viols of the time, Vittorio Ghielmi owns an instrument by the famous luthier Michel Colichon (a friend of Marais’s teacher Sainte-Colombe), made in Paris in 1688. Only two of the five surviving viols by Colichon are still in playable condition.