Rewriting Medieval Japanese Women explores the world of thirteenth-century Japan through the life of a prolific noblewoman known as Nun Abutsu (1225–1283). Abutsu crossed gender and genre barriers by writing the first career guide for Japanese noblewomen, the first female-authored poetry treatise, and the first poetic travelogue by a woman—all despite the increasingly limited social mobility for women during the Kamakura era (1185–1336). Capitalising on her literary talent and political prowess, Abutsu rose from middling origins and single-motherhood to a prestigious marriage and membership in an esteemed literary lineage.

Abutsu’s life is well documented in her own letters, diaries, and commentaries, as well as in critiques written by rivals, records of poetry events, and legal documents. Drawing on these and other literary and historiographical sources, including The Tale of Genji, author Christina Laffin demonstrates how medieval women responded to institutional changes that transformed their lives as court attendants, wives, and nuns. Despite increased professionalisation of the arts, competition over sources of patronage, and rivalling claims to literary expertise, Abutsu proved her poetic capabilities through her work and often used patriarchal ideals of femininity to lay claim to political and literary authority.

Rewriting Medieval Japanese Women effectively challenges notions that literary salons in Japan were a phenomenon limited to the Heian period (794–1185) and that literary writing and scholarship were the domain of men during the Kamakura era. Its analysis of literary works within the context of women’s history makes clear the important role that medieval women and their cultural contributions continued to play in Japanese history.