For an up-and-coming court musician of the early 18th century, as is also the case with Handel, it would have been obvious to turn to Italy. Contact with a French-influenced court musician would also have recommended a stay in Paris; in the German-speaking area, stays in Dresden, Wolfenbüttel or Vienna would also have been conceivable. A trip to London, on the other hand, was not completely isolated, but unusual enough. It was the aim of last year's Handel Symposium to further narrow down and sharpen these music-specific requirements. The new volume contains all contributions as well as the lecture and, as always, is supplemented by the bibliography on Handel's literature and the communications of the Göttingen Handel Society.