This book explores the exchange of music, musicians and musical practice between Britain and the Continent in the period c.1500-1800.

This book explores the exchange of music, musicians and musical practice between Britain and the Continent in the period c.1500-1800. Inspired by Peter Holman's research and performing activities, the essays in the volume developthe theme of exchange and dialogue through the lenses of people, practices and repertory and consider the myriad ways in which musical culture participated in the dynamic relationship between Europe and Britain. Key areas addressed are music and travel; music publishing; émigré musicians; performing practice; dissemination of music and musical practice; and instruments. Holman's work has revealed the mechanisms by which continental practices were adapted to local circumstances and has helped to show that Britain enjoyed a vigorous musical culture in the long eighteenth century, in which native proponents produced original works of quality and interest and did not simply copy continental models. Following avenues opened up by Holman' scholarship, contributors to this volume explore a variety of ways in which the cross-fertilization of music and musicians has enriched European, and especially British, cultureof the early modern period.

Contributions by: John Cunningham, Bryan White, Patxi del Amo, Andrew Woolley, Alan Howard, Min-Jung Kang, Robert G Rawson, Rudolf Rasch, Nancy Hadden, Michael Robertson, Thérèse de Goede, Michael Talbot, Donald Burrows, Samantha Owens, Fiona Smith, Robert Thompson, Stephen Rose, Rebecca Herissone, Graham Sadler, Julian Rushton, Judy Tarling, Tricia Holman