Composed between 1865 and 1868, Brahms’s Ein deutsches Requiem has become a repertoire staple for choirs around the world, amateur and professional alike, possibly because it relies so much more on the choir than its soloists to convey the texts, unlike other works. Brahms chose not to set the Requiem Mass but rather a collection of biblical texts of his own selection, taken from the Lutheran Bible (hence the ‘deutsches’). Rather than being a prayer for the dead, Brahms’s concern is much more with offering comfort to the bereaved still on earth. When challenged about the lack of a single reference to Christ in the entire work, Brahms responded, "I would gladly omit even the word 'German' and simply put 'Human.'" This adds credence to the view that he saw the work in an entirely humanist way, and that the religious overtones of the title and text selection are much more a result of the avowedly Christian culture of his times than a specific decision to express personal belief. Edward Gardner and his Bergen forces are joined by soloists Johanna Wallroth and Brian Mulligan in this exciting new recording.