The poems in Marc Hudson's The Disappearing Poet Blues are driven by a moral anguish: how do we live, they ask, in strict circumstances; what is the worth of a profoundly limited human life; how can one be both a good father and a good artist? Emblematic of the poet's exile and endurance are the severe landscapes of the Okanogan in Washington State and the Colville Indian Reservation, where Hudsons brain-injured son, Ian, was born and lived his first year. Later poems reflect the familys move to Indiana, where the less austere contours of the Midwest suggest a mellowing of grief. The poems of the second section metaphorically wrestle with many of the same concerns: Caedmon, the first Anglo-Saxon Christian poet, tells of the burdens of song; an Irish monk on his volcanic outpost longs for his homecoming in Christ. Hudson's The Disappearing Poet Blues has an ethical music and weight; but ragged and uncertain and human as it is, it also sings the blues.