Review
Volume 25
Edited by James O. Hoge
Review is an annual volume which, for twenty-five years, has published review-essays and reviews of scholarly works on English and American language and literature and has offered the scholarly community an otherwise unavailable forum exclusively for reviews, a place to publish treatments both lengthy and exacting. This volume will be the last.
Review, Volume 25, includes review-essays by L. J. Swingle on Wordsworth's religious faith and his poetry; by James M. Hutchisson on Sinclair Lewis; by Alex Zwerdling on Virginia Woolf; by Margaret Maurer on Shakespeare's life in the theatre; by Clare Eby on Catherine Jurca's White Diaspora: The Suburb and the Twentieth-Century American Novel; by Kevin J. Hayes on Melville and Newton Arvin; by Gregory M. Colon Semenza on Milton and radical Puritanism; by Andreea D. Boboc on medieval psychology in the Canterbury Tales; by Theresa Tinkle on cultural pluralism in the Canterbury Tales; by Nicholas Frankel on Pamela Thurschwell's Literature, Technology, and Magical Thinking, 1880-1920; by Jonathan Rose on the twilight of the postmodern; by Judith Mattson Bean on Margaret Fuller; by Reed Way Dasenbrock on George Bornstein's Material Modernism; by William Proctor Williams on the history of the book; by Thomas Gardner on Emily Dickinson and the unknown; by Matthew Hart on Tom Nairn and Hugh McDiarmid; by Collen Jaurretche on James Joyce; by Kerry Larson on American Sentimentalism; by Audrey Jaffe on Dickens's villains; by David Finkelstein on the literary periodical tradition; by Paul Goring on the Sterne Florida edition; by Arthur D. Casciato on Carlo Rotella's Good with Their Hands; by Steven Lynn on Greg Clingham's Johnson, Writing, and Memory; by Ellen Rosenman on Lisa Sternlieb's The Female Narrator in the British Novel; by Jennifer Mooney on girlhood and the Victorian gentleman; by Jerome Meckier on E. M. Forster's modernism; by Bruce R. Smith on Ben Jonson; by Jackson R. Bryer on James L. W. West III's edition of Fitzgerald's Tales of the Jazz Age; and by Linda Anderson on criminality in early modern England.
