Gramophone Magazine
August 2024
Archive Issue of the Month

Helen Field (Beatrice Cenci), David Wilson-Johnson (Count Cenci), Ingveldur Yr Jonsdóttir (Lucretia), Justin Lavender (Orsino/Bernardo), Stuart Kale (Cardinal Camillo)

Millennium Sinfonia, James Kelleher

The Cenci (1951–52) is Havergal Brian’s operatic realisation of Shelley’s gruesome tale of incest and parricide in Renaissance Italy. The score calls it simply an ‘Opera in Eight Scenes’, but it rarely goes in for grand tunes; instead, its dark colours reflect Shelley’s fascination with the struggle between good and evil. Stylistically, it is an unusual but highly effective hybrid: a music-drama focused on the intense delivery of Shelley’s text, with the declamatory style of the vocal lines echoing such recent oratorios as Stravinsky’s Oedipus Rex and Honegger’s Jeanne d’Arc au bûcher, and the freewheeling orchestral writing producing something of a vocal symphony.

"Brianophiles will, no doubt, acquire this set, but so should anyone with the slightest interest in 20th-century opera. Strongly recommended." - Gramophone Magazine, August 2024