This book develops the theory of a study which lies between city planning and psychology. The thesis developed in this title explains how the arrival of 'selfies' has radically transformed the relationship between people and the fruition of landscapes, where the latter has lost the purpose of an aesthetic contemplation to become the obsession of a consumerist kind of relation. While the technological device called 'camera' used to be positioned between the subject and the landscape, today the subject imposes itself on the camera and the landscape, conferring new meanings to our perception of the landscape.

Text in English and Italian.