Ethical Encounters is an exploration of the intersection of feminism, human rights, and memory to illuminate how visual practices of recollecting violent legacies in Bangladeshi cinema can conjure a global cinematic imagination for the advancement of humanity. 

By examining contemporary, women-centered Muktijuddho cinema—features and documentaries that focus on the Bangladesh Liberation War of 1971—Elora Chowdhury shows how these films imagine, disrupt, and reinscribe a gendered nationalist landscape of trauma, freedom, and agency. Chowdhury analyzes Bangladeshi feminist films including Meherjaan, and Itihaash Konna (Daughters of History), as well as socially-engaged films by activist-filmmakers including Jonmo Shathi (Born Together), and Shadhinota (A Certain Liberation), to show how war films of Bangladesh can generate possibilities for gender justice. 

Chowdhury argues that justice-driven films are critical to understanding and negotiating the layered meanings and consequences of catastrophic human suffering yet at the same time they hint at subjectivities and identities that are not reducible to the politics of suffering. Rather, they are key to creating an alternative and disruptive archive of feminist knowledge—a sensitive witnessing, responsible spectatorship, and just responsibility across time, and space. 

Drawing on Black and transnational feminist critiques, Chowdhury explores questions around women’s place, social roles, and modes of participation in war as well as the visual language through which they become legible as victims/subjects of violence and agents of the nation. Ethical Encounters illuminates the possibilities of film as a site to articulate an ethics that acknowledges a founding violence of the birth of a nation, recuperates it even if in fragments, and imagines differently the irreconcilable relationship between humanity, liberty, and justice.