This anthology presents classic and recent scholarship on Italian art from 1600-1750, highlighting the key debates with which art historians continue to grapple.




Explores themes including: style or the visuality of art; artistic practices and production; artistic communication as projected and experienced; and artists’ interactions with the ancient world and with the new sciences

Examines the work of key painters, architects and sculptors from this period, including Caravaggio, Bernini, Guarini and Poussin

Published in the expanding Blackwell Anthologies in Art History series