Between 1990 and 1992, Philip-Lorca diCorcia, funded by a National Endowment for the Arts fellowship, made multiple trips to Los Angeles to scout locations, invent scenarios, and ultimately find male prostitutes that would agree to pose for his camera. The last task proved to be the easiest--diCorcia simply used his fellowship money to pay the men whatever price they charged for their most typical service--and ultimately prompted a complaint of misuse of government funds.