Drawing on Gilles Deleuze’s philosophy of the body, and on Deleuze-Spinoza’s relevant concepts of affect and expression, Elena del Río examines a kind of cinema that she calls `affective-performative’. The features of this cinema unfold via detailed and engaging discussions of the movements, gestures and speeds of the body in a variety of films by Douglas Sirk, Rainer W. Fassbinder, Sally Potter, Claire Denis, and David Lynch. Key to the book’s engagement with performance is a consistent attention to the body’s powers of affection.