1931. There is no obvious drama in this straightforward narrative. No one could pretend that Roxana reveals either charm or striking personality. The author's art comes from a particular form of realism, in which he stands almost alone. It is built upon absolute simplicity in style, elaborately precise statement of natural detail and a complete absence of emphasis or emotion. We do not judge Roxana for her conduct, but sympathize with her as a woman because Defoe has made her our friend. We believe in her as a real, living, intimate acquaintance who is interesting because her life is crowded with surprising events and fortune treats her with more than its usual caprice.