Written in a baroque, multilayered style tinted with both lyricism and humor, this is the story of Fabrizio Notte, a filmmaker who makes documentaries on hit men. Invited to show his latest piece at a film festival in his home town of Montréal, he receives mixed reviews and begins to question himself. The trip serves as a pretext for an existential pilgrimage towards love and belonging, ultimately leading him back through time, through the vast, moving landscape that is memory, to his first love and ultimately, to himself.