Consisting of several rare, unheard performances, the early Bird doesn’t only catch the worm on this archive release, but flaunts it. This is Bird captured in his key years, 1941–1951, these primordial recordings serving as a timely reminder that there really is nothing new under the sun.

Charlie Parker had a complicated relationship with his hometown of Kansas City, MO owing both to its history of racial segregation and to his strong ties to his family and friends there.

This new set of rare recordings dating from 1941–1951, entitled Bird in Kansas City chronicle Bird’s evolution from a blossoming soloist with the Jay McShann Band into a brilliant improviser who dominated the jazz landscape for decades to come.

Most of the songs included on this forthcoming release, out October 25, have never been heard before and some were not even known to have existed in the first place.

In addition to two unreleased 78s with the McShann band, this set offers two sets of private recordings (at the home of Bird’s friend Phil Baxter and at Vic Damon’s studio) made with local musicians and a very relaxed-sounding Parker. In the recordings, he has the room to really stretch out and show usthe shape of jazz that was to come in his wake.