This monograph edited by Ilaria Bernardi is the first comprehensive examination of the oeuvre of the Italian artist Loris Cecchini, from his debut in the mid-1990s to the present.


The publication coincides with the 30th anniversary of the artist’s first inclusion in an exhibition: in three group shows in 1995. The book reviews Cecchini’s solo and group exhibitions, providing information on awards, residencies and lectures, as well as extensive commentary on his most distinctive works.


Alternating between photography, sculpture, drawing, digital processing and environmental installations, Cecchini’s aim is to shape real space by means of innovative materials, focusing on how matter holds together and the aesthetic, architectural, organic, and structural processes associated with it. He has a particular interest in industrial materials such as rubber, resin and steel. His work explores the sense of the real, in a perspective suspended between the natural and the man-made that challenges the viewer’s perception.


This book reconstructs the trajectory of Cecchini's personal and creative life by interweaving biographical information, historical background and an ample selection of works, thus providing a unique contribution to the literature devoted to the artist.


Text in English and French