Explores the transformation of religious orthodoxy in the age of modernism

Provides a historical and theoretically informed account of mysticism in the late nineteenth and early twentieth century.
Details the significance of a range of religious practices to modernism, including communal worship, conversion, and retreat.
Reads modernism through the lens of recent postsecular theory.
Offers close readings of major works by David Jones, T. S. Eliot, and H.D., including the first extended discussion of Jones's recently published The Grail Mass, informed by extensive work in the personal archives and libraries of individual authors.
Outlines an expanded understanding of religious poetry.

Modernism and Religion argues that modernism participated in broader processes of religious change in the twentieth century. The new prominence accorded to immanence and immediacy in religious discourse is carried over into the modernist epiphany. Modernism became mystical. The emergence of Catholic theological modernism, human rights, Christian sociology, and philosophical personalism, which are explored here in relation to the work of David Jones, T. S. Eliot, and H.D., represented a strategic attempt on the part of diverse religious authorities to meet the challenge posed by new mysticism. Orthodoxy was itself made new in ways that resisted the secular demand that religion remain a private undertaking. Modernism and Religion presents the mechanical form and clashing registers of long poems by each of the aforementioned writers as an alternative to epiphanic modernism. Their wavering orthodoxy brings matters from which the secular had previously separated religion back once more into its purview.