The might of Gilels was not just in his impeccable technique, but probably and more importantly in his harmony of thoughts and endless artistic fantasy. And the musician was a person of amazing integrity and harmony as well. Gilels's hands which appeared small yet muscular turned into magical as soon as they touched the keyboard, and all at once the crowded halls came to a standstill in expectation of another miracle of arts. With the first sounds of music, the audience fell within the power of the pianist. It was a mystery how he could achieve such a spiritual unity with his listeners. It was his secret, his magic...CONTENTS:Robert Schumann (1810-1856)"Études Symphoniques" («Symphonie Etudes»), Op. 13 Four Pieces, Op. 32ScherzoGigueRomanzeFughetteJohannes Brahms (1833-1897)"Variations on a Theme of Paganinl", Op. 3.5 (1st hook)