Dancing with Myself investigates the elemental importance of self-representation in art from the 1970s to the present day and the role of the artist as protagonist and subject of the work. Through a wide variety of artistic practices and artists (from Claude Cahun to LaToya Ruby Frazier, from Gilbert and George to Cindy Sherman, and from Alighiero Boetti to Maurizio Cattelan) coming from different cultures and backgrounds, generations and experiences, it reflects on the contrast between different approaches: melancholy and vanity, ironic games played with identity and political autobiography, existential rumination and the body as sculpture, effigy or fragment, and its symbolical representation.