Allegories of Communication provides insights into the shiftingconfigurations of moving-image technologies. Contributors focus on technologicalchange and the intermedial aspects of moving images from a variety of perspectivesunderscoring the need for cross-disciplinary dialogue. They discuss hardwareconcerns, questions of styles, reception patterns, and the cultural and socialunderpinnings of mediated vision. The distinction between the analog and the digitaloffers a focal point with implications for the charting of movements from the turnof one century to the next.
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