Yasunori Imamura, whose recording of Bach’s complete lute works has been described as a ‘magnificent interpretation’ (Naxos 8.573936-37), turns his attention to the Cello Suites. Imamura has chosen to perform these iconic suites on the theorbo, the most important plucked instrument in the lute family, with a range very similar to the cello. Certain technical elements, such as the playing of arpeggios, are, in fact, easier on the theorbo, whose unique timbres and resonances bring a new sonic quality to these much-loved works.