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Religious Experience in the Work of Richard Wagner
Marcel Hébert; Charles J. T. Talar; Elizabeth Emery; Stephen Schloesser
MP-CUA Catholic Uni of Amer (2015)
Kovakantinen kirja
65,30
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Jazz Age Catholicism - Mystic Modernism in Postwar Paris, 1919-1933
Stephen Schloesser
University of Toronto Press (2005)
Kovakantinen kirja
104,30
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ostoskoriin kpl
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Visions of Amen - Early Life and Music of Olivier Messian
Stephen Schloesser
William B Eerdmans Publishing Co (2014)
Kovakantinen kirja
54,50
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Mystic Masque - Semblance and Reality in Georges Rouault, 1871-1958
Stephen Schloesser
McMullen Museum of Art (2008)
Pehmeäkantinen kirja
83,90
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Vatican II - Did Anything Happen?
David G. Schultenover; John W. O'Malley; Joseph Komonchak; Neil J. Ormerod; Stephen Schloesser
Bloomsbury Publishing PLC (2008)
Pehmeäkantinen kirja
27,20
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Crossings and Dwellings - Restored Jesuits, Women Religious, American Experience, 1814-2014
Kyle B. Roberts; Schloesser, J.S., Stephen
Brill (2017)
Kovakantinen kirja
240,80
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Religious Experience in the Work of Richard Wagner
65,30 €
MP-CUA Catholic Uni of Amer
Sivumäärä: 192 sivua
Asu: Kovakantinen kirja
Julkaisuvuosi: 2015, 30.06.2015 (lisätietoa)
Kieli: Englanti
Enthusiasm for the operas of composer Richard Wagner (1813-1883) flourished in fin-de-siècle France, fed by fascination for the medieval history and literature that inspired his work. By the 1890s, ""pilgrimages"" to Wagner's burial city of Bayreuth, Germany, home of a regular festival of his work, were a rite of passage for musicians and the upper crust. French admirers promoted Wagner's ideas in journals such as La Revue wagnérienne, launched in 1885. These writings fueled a mystique about Wagner, his music, and his beliefs.

Philosopher Marcel Hébert developed his Religious Experience in the Work of Richard Wagner (1895) from this background of sustained popular interest in Wagner, an interest that had intensified with the return of his operas to the Paris stage. Newspaper debates about the impact of Wagner's ideas on French society often stressed the links between Wagner and religion. These debates inspired works like Hébert's, intended to explain the complex myth and allegory in Wagner's work and to elucidate it for a new generation of French spectators.

Hébert's discussion of Wagner, written for a popular audience, might seem an anomaly in light of his better-known academic philosophical writings. Yet Wagner's use of myth and symbol, as well as his ability to write musical dramas that evoked emotional as well as cognitive response, resonated with Hébert's symbolist approach to dogma, and the appeal to religious experience characteristic of Modernist thinkers in general. By writing about Wagner to discuss these themes, Hébert caught the interest of the educated readership who shared his concern about the clash of ancient faith and modern thinking, and who were receptive to his argument that both could be reconciled through his revisionist approach. Thus, Hébert turned Wagner and his work into a vehicle for popularizing the Modernist vision of framing religion through experience as well as knowledge.

Translated by: Charles J. T. Talar, Elizabeth Emery
Foreword by: Stephen Schloesser

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Helsinki
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Tampere
Religious Experience in the Work of Richard Wagner
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ISBN:
9780813227412
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