Max Watson; Chantal Simon; Audrey Fenton; Anne Drake; Caroline McLoughlin; Richard Wilson Oxford University Press (2010) Saatavuus: Tilaustuote Pehmeäkantinen kirja
Neil V. (Professor of Cognitive and Neural Sciences at Simon Fraser University) Watson; S. Marc (Barnett Rosenberg P Breedlove Oxford University Press Inc (2022) Saatavuus: Hankintapalvelu Pehmeäkantinen kirja
Yale University Press Sivumäärä: 312 sivua Asu: Pehmeäkantinen kirja Julkaisuvuosi: 2013, 15.10.2013 (lisätietoa) Kieli: Englanti
A novel look at the relationship between Impressionist painting and photography and the forging of a national identity in France between 1850 and 1880
Between 1850 and 1880, Impressionist landscape painting and early forms of photography flourished within the arts in France. In the context of massive social and political change that also marked this era, painters and photographers composed competing visions of France as modern and industrialized or as rural and anti-modern. Impressionist France explores the resonances between landscape art and national identity as reflected in the paintings and photographs made during this period, examining and illustrating in particular the works of key artists such as Édouard Baldus, Gustave Le Gray, the Bisson Frères, Édouard Manet, Jean-François Millet, Claude Monet, Charles Nègre, and Camille Pissarro. This ambitious premise focuses on the whole of France, exploring the relationship between landscape art and the notion of French nationhood across the country’s varied and spectacular landscapes in seven geographical sections and four scholarly essays, which provide new information regarding the production and impact of French Impressionism.
Distributed for the Nelson-Atkins Museum of Art and the Saint Louis Museum of Art
Exhibition Schedule:
Nelson-Atkins Museum of Art (10/19/13-02/09/14)
Saint Louis Art Museum (03/16/14–07/06/14)
Contributions by: Neil McWilliam, Maura Coughlin Other primary creator: Nelson-Atkins Museum of Art
