Tekijä: Barbara L. Kelly; Christopher Moore; Michel Duchesneau; Philippe Cathé; Jann Pasler Kustantaja: Boydell and Brewer (2018) Saatavuus: Noin 16-19 arkipäivää
Tekijä: Philippe Nericault Destouches; Marie-Emmanuelle Plagnol-Dieval; Catherine Ramond; Christelle Bahier-Porte; John Dunkley; Ga Kustantaja: Classiques Garnier (2018) Saatavuus: Ei tiedossa
Tekijä: Catherine Bertrand (ed.); Sophie Denimal (ed.); Marc Steinmann (ed.); Philippe Renard (ed.) Kustantaja: Springer (2019) Saatavuus: Noin 17-20 arkipäivää
Tekijä: Joel Sanders; Catherine Ince; Louise Lemoine and Ila Bêka; Eva Gil Lopesino; Alexandra Midal; Philippe Rahm; Rotor-Deconstr Kustantaja: Spectormag GbR (2022) Saatavuus: Noin 7-10 arkipäivää
Tekijä: Joep Perk; Peter Mathes; Helmut Gohlke; Catherine Monpère; Irene Hellemans; Hannah McGee; Philippe Sellier; Hugo Saner Kustantaja: Springer London Ltd (2007) Saatavuus: Ei tiedossa
Boydell and Brewer Sivumäärä: 358 sivua Asu: Kovakantinen kirja Julkaisuvuosi: 2018, 15.06.2018 (lisätietoa) Kieli: Englanti
This collection uncovers how music criticism contributed to national and transnational preoccupations and agendas.
Music Criticism in France examines the aesthetic battles that animated and informed French musical criticism during the interwar period (1918-1939). Drawing upon a rich corpus of critical writings and archival documents, the book uncovers some of the public debates surrounding classical music in the immediate aftermath of the Great War until the eve of World War II. As such, it provides new insights into the priorities, values and challenges that affected the musical milieu of this war-bound generation. This collection of essays brings together scholars from different areas of musicology and related humanities disciplines; it also draws on different anglophone and francophone intellectual traditions. As well as considering the reception of individual works, the contributors examine key individuals, composer-critic pairings, the composer as critic and technician, the role of influential journals, and music criticism as a pedagogical tool for concert-going and radio audiences. Focusing on the themes of authority, advocacy and legacy, it shows the contribution of principal critics such as Vuillermoz, Vallas, Prunières, Schloezer and Koechlin to shaping our understanding of music in the first half of the twentieth century in France. We see how criticism contributes to national and transnational preoccupations and agendas, which were of considerable importance throughout the interwar period and continue to have relevance today.
BARBARA L. KELLY is Director of Research and Professor of Musicology at the Royal Northern College of Music, Manchester. CHRISTOPHER MOORE is Associate Professor of Musicology at the University of Ottawa. Contributors: PHILIPPE CATHÉ, MICHEL DUCHESNEAU, KIMBERLY FRANCIS, JACINTHE HARBEC, BARBARA L. KELLY, PASCAL LÉCROART, CHRISTOPHER MOORE, RACHEL MOORE, JANN PASLER, CAROLINE RAE, DANICK TROTTIER, MARIANNE WHEELDON
Contributions by: Barbara L. Kelly, Christopher Moore, Michel Duchesneau, Philippe Cathé, Jann Pasler, Pascal Lécroart, Kimberly Francis, Caroline Rae, Marianne Wheeldon, Rachel Moore, Jacinthe Harbec, Danick Trottier
